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Marvel Future Fight – Gamey Review

Marvel Future Fight – Gamey Review

The Game:

Marvel Future Fight is a free to play mobile game with freemium purchasing mechanics. It involves hero/villain collection and ranking through biometrics or x-genes and with six other methods making heroes and villains stronger individually and one method of making them stronger overall. It is top-down action based with skills for causing damage with each fight composed of a team of three heroes and/or villains. Some modes of play require the use of energy which is earned at a rate of one every five minutes. Players are also given a chance to earn extra energy through five quiz questions a day, five challenges a day, and are given a free energy recharge every twenty-four hours. Energy can be earned over the maximum amount through these methods.


The game has 19 modes of play, one of those, Epic Quest, currently comprised of four subsections with a total of 13 submodes of play with various limits on each one per day, Special Mission has three subsections with each having five modes of play with twenty attempts a day, Heroic Quest has five possibly paths to choose from but is completed mostly by playing other sections of the game, Daily Mission has three submodes to chose from with two completions a day, Dimension Rift is a rotating mode that allows players to collect rewards and tokens for the Support Shop timed and limited entry mode available at least once a day and allows players to enter other players’ rifts giving more entries, Legendary Battle has four sections to choose from with multiple subsections under those with five completions a day, Villain Siege has three levels of play each available for completion once a day, World Boss has ten different bosses to choose from but some are locked behind challenges and each of these has different levels of difficulty and reward. Alliance Raid is a boss mode allowed once a day as opened by raid leaders. Shadowland takes place over the course of a week and allows players one time use of each character to complete an entry, with the difficulty increasing after each completed entry. Ten Timeline Battle entries are given a day, except on Thursdays, when a second set of ten is given, to battle other players. Alliance Battle is given once a day and twice on Thursdays and is ten minutes to clear a large number of enemies with increasing difficulty, if cleared, an extreme mode is opened, and after that, a challenge mode to increase points and standing in the alliance. There are Alliance Tournaments and Conquests, wherein alliances battle each other. Battleworld is available as the devs allow with ten entries per day wherein a player chooses a team of five to fight another player’s team of five. Co-op Play, which has a randomized team up or a private one, allows three players with higher level characters to battle a boss. World Boss Invasion is another co-op mode wherein three players randomly team up with teams of three to take down a boss. Giant Boss Raid is an advanced team up mode with lobbies or quick start to take down a boss. And finally, Story is the campaign mode for Future Fight, where the majority of the character biometrics are and has the easiest characters to get. The battles get progressively harder and each one allows a player to gain up to 10 specific biometrics a day per battle.

All modes have different rewards but all the rewards are worth getting. And almost all modes include some story through text. There are also special event modes that happen every once in a while. There are two major types of currency in the game: gold and crystals. Gold is earned in almost all modes of play. Crystals have a base earning of 25 a day through challenges plus 30 every eight days. Gold is used in upgrading characters and purchasing some items. Crystals are used for purchasing more premium items, such as some uniforms and deluxe modes. Some of these modes have auto-play and repeat, but the best ones only have manual play.

The Progression:

Unlocks and Rank UpsI’ve been playing this game for more than a year and tracked progress for six months on unlocking and ranking up characters and you can see in the chart the rate at which this happened.

Player Level UpThis chart shows the rate at which the player leveled up in the same time period. The max is 60 with a max of 120 energy.

Crystal AccruementThis chart shows the expected rate of crystal acquirement to 6600, which is the amount needed to unlock a deluxe mode of play, versus the actual amount of time it took to reach that number of crystals. This is because crystals can be earned as rewards from other modes of play and because the devs sometimes give them to players for free for special occasions. It is possible to spend money to advance progression, but since very few of the modes are actually competitive in nature, I didn’t see much use in spending the money to do so. I’m more than a year in and am finally hitting a character progression slow down. I won’t even say it is a wall. I also believe that the progression is half the fun of this game, so don’t bother spending your money to advance characters. I’m frequently top of charts without having spent money on progression. It maybe took longer, but I’m a patient person and enjoyed the journey. This game isn’t very squeezy when it comes to how it deals with players. Not comparatively anyway. And on the subject of money.Biometric X-Gene Methods


There are many ways to pay for things in Future Fight. There are six sections to the store. In the featured shop, are the Deluxe Epic Quests, which give you a new character that you can’t get anywhere else and a new game mode, along with crystals and gold. These are purchased with crystals. The legendary Battle extreme packages, which are also purchased with crystals. There are various packs with different materials as well for crystals. Then there are the actual money packs, the most expensive being $99.99. Do not buy this. Seriously.


Under the Acquire/Upgrade Characters section of the store is Adam Warlock, Emma Frost, Sabertooth, and Iceman, this is the only place you can get them, and they are available for crystals. This is also where the loot box for characters is. The Premium Hero Chest is available for crystals, but it is not a guaranteed premium hero. The Recharge section of the store is where you pick up your free daily energy and holds the one pack I believe is worth having: Get 20 Biometrics Daily for 30 days. It is $9.99 and if you’re smart about it, you can get a lot of premium heroes during that time. The exclusive characters are Enchantress, Carnage, Hyperion, Spider-man 2099, Quasar, Luna Snow, Killmonger, Nadia Van Dyne, Ghost Panther, Sentinel, Ironheart, Kid Kaiju, Agent Venom, Nick Fury, Rescue, Electro, Aero, Slapstick, and Crescent. All others can be acquired elsewhere. There is the X-Gene version of this but currently it only has eight characters, and only seven of those are exclusive to that pack. Those are: Magik, Weapon Hex, Juggernaut, Jubilee, Namor, Kitty Pryde, and Gambit. The Mission Shop also has these daily packs as well as some others. The Token shop uses special in-game currency, and the Uniform shop uses both gold and crystals. Uniforms make your characters stronger and they look different. However, not all characters have uniforms available and some base looks are just cooler than the uniform options. This is also where you will find five gender swaps: those are for the Ancient One, Captain America, Ghost, Deadpool, and Loki. Unlike the Marvel Heroes MMO, gender swaps are not locked entirely behind a pay wall, since in the MMO, premium currency was not earn-able in game and gender swap costumes were only available for premium currency. My biggest complaint against that dead game. There is a lot that you can buy in Marvel Future Fight, but really only buy the 20 Biometrics Daily for 30 days. You get to choose the biometrics every day, so you always know what you are getting. If the X-gene version ever has more characters, then it will be worth it too. However, it is sometimes still possible to get these heroes without spending money. How? They’re exclusive. Well, sometimes the devs run special events where you can earn biometrics for a character of their choosing and sometimes they just give you a premium hero chest or random premium hero. They are often generous with freebees in this game.


The most common problem with this game is network failure. It usually boots the player to the home screen or kicks them out of an attempt to complete a battle of some kind. However, every once in a while a different issue occurs. The Angel Dimension Rift used to get characters stuck in their run and some of the Special Missions do that with specific characters. Probably the worst bug I ever saw was when I did a World Boss Invasion, won, but it never went to the Victory screen, the boss was gone because we’d killed him but nothing happened after we did, so the timer ran out and we got Mission Failure, even though we had 100% completion and I was actually the leader. It was very annoying.


Other issues are spelling and grammar errors in the story dialogue. Really silly ones that I wonder if they are ever going to fix. They probably don’t even know they’re there. One game play issue is inventory management. It is a huge chunk of the time spent in the game. All players have 600 slots and some things stack and some things don’t. Custom Gear, ISO-8s, and Cards do not stack, which means a player spends a lot of time upgrading with these items. You can spend 100 crystals to expand the inventory 10 slots, but considering that one Dimension Rift instance could fill ten slots, that’s a bit weak in my opinion. While it may be tempting to do so to clear up space, I wouldn’t ever suggest selling Biometrics, as once a player upgrades a character’s gear to 15, biometrics are needed to upgrade them further. There is no warning of this, and that brings me to my other issue. Tutorial. This game has a pseudo tutorial but it very obviously was designed before a bunch of other stuff was added to the game. New modes and higher level character management are not explained in it. Players typically have to find game guides to really know these things.


Autoplay can be somewhat annoying in that it doesn’t just give rewards like some other games do. Instead, the computer plays the battle for you in real time, so your device is tied up with doing battles. While it is nice that autoplay doesn’t have to be turned on every time you go start a battle, it would be better if it just collected rewards or gave a fail state. Now some people argue that games shouldn’t have auto-collect, autoplay, or repeat at all, but these freemium mobile device games are games for the busy person, the kind of person who doesn’t have six hours a day just to play a video game, so these features are helpful if like me you work 45 hours a week and have three or four side projects on top of that as well as the urge to eat and sleep like a healthy person. On a scale of 1-10 on how helpful Future Fights’ autoplay features are to the busy person, I’d say that Future Fight lands in the middle at a 5. Helpful, but could be much more helpful.


When it comes to actually playing the game, what is both good and bad is the fact that skills don’t queue. You can interrupt a skill, which is good if that skill is not helping you, but isn’t good if you don’t know the character’s skill animations. Some skills, the worst ones, seem uninterruptible by the player. They just go on forever unless the enemy does something to interrupt it. The only thing the player can do it seems is move the character to make them stop using the skill. Kinda dumb.


Some characters are not fun to play as, either because the tempos of their skills are much slower than other characters, the characters are weak no matter how much a player pumps them up, or they just stand there to complete their skills. The best characters are those who move a lot, improve a decent amount during upgrading, and complete skill animation at a fast tempo.


But how do you know which ones are good and which ones are bad? Well, don’t expect the Team sorting feature to help you figure that out. This is probably one of my biggest gripes with Future Fight. Team sorting is done by Tier, Level, or Rank. There isn’t one for damage or threat or some other noun that means how powerful the characters are in a fight, so there is no way to sort them by how effective they actually are. Scarlett Witch and Deadpool Jean Grey and Rachel Summers are probably my most powerful characters right now, but no sort function puts them at the top. That’s stupid. It’s not like it’s impossible. Other games do it. Just add it in Netmarble. Each of the different game modes also seems to effect the sort, putting all of the characters in a different order. Damned if I know what defines that sort, because it frankly seems random. For example, in a recent update, they changed how characters sort for World Boss, putting specific characters at the top when they are clearly weaker than those that come after them. Before the update, it was a lot easier to know who was actually strong enough to beat the World Boss, because the Recommended Attack number could be in the normal or easy range and still be a losing battle. Yes, that Recommended Attack rating is broken too. They keep updating things, and while the new content is great, the UI changes aren’t always for the better. Just saying.

Best Things:

Two great things about this game are the freebees that are given quite regularly and the new game play that is added all the time. Log-in calendars are generous, giving out biometrics, rank-up and mega rank-up tickets, characters, tier-2 tickets, and premium currency. Holiday and update premiers also include rewards for players. Most of all, the new game modes; I’ve seen them premier five new game modes, and more game content on previous modes happens at a good pace with much of it just being free. They even have added story chapters. When they were premiering the X-Force game mode, I was certain, absolutely certain, that Deadpool was going to be a 20 biometrics daily only character. Instead, the day of the update arrives, and they just give everyone Deadpool. It was great. Other games, which will currently remain nameless (Injustice 2 Mobile – or not at all nameless), would have locked Deadpool behind a heavy paywall. Not so with Netmarble. They said “You like Deadpool?” Yes. “Well, here’s Deadpool!” Cool! Thanks! They kind of hurt themselves when they did the next Epic Quest, First Family. “You like Mr. Fantastic?” No–“Well, here’s Mr. Fantastic!” Uh, thanks. I guess. The point is many your absolute favorites are outright given to you or are so easy to get. On top of that, they’re making new original characters, such as the Sharon Rogers Captain America, who looks like such a badass with each new uniform, Luna Snow, White Fox, and Crescent, who are all draws for the South Korean audience, but are still really cool, and the four combo characters, Ghost Panther, Weapon Hex, Arachknight, and Iron Hammer. This combination of traditional favorites for free and original characters as well is really good.


I don’t like giving online games an actual rating because the games change too much, sometimes for the better, sometimes for the worse, sometimes in a mixed fashion, over time for that rating to always apply. Especially after the debacle of some triple A games waiting until after the reviews were out to up their microtransaction squeeze (Black Ops 4). I think really only a recommendation can be given for an online game and ratings apply to single-player games or mostly single-player-like games. Otherwise, I don’t trust online games enough to give them rating. They are simply too fluid. Future Fight has given me a good amount of fun and Netmarble obviously cares enough to value their two major markets equally and seems to understand how to work with them both, which is pretty impressive.


Since I play this game everyday, and look forward to it everyday, it may come as no surprise that I would recommend Future Fight. If you have a possible gambling problem, I would not suggest it because it does have some mild loot boxes, that won’t bother those without the inclination, but will definitely effect those with the condition. Overall though, it is fun, it’s great to unlock and rank up characters through hard work and the freebees make you feel welcomed by the devs. It’s also great for people like me who like project management and analytics, because you can plan out upgrades methodically, so it meets the needs of the spreadsheet lover in a flashy way. It’s definitely for the Marvel fans out there. And I wouldn’t suggest it for the more action minded out there. Yes, I love this game. I will continue to play it, and I hope that the devs keep up the good work.


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Disney Stupidity Strikes Again!

I’ve complained about Disney making stupid decisions before. Their need to allow marketing to shape the creation of Star Wars. The extremely poorly thoughtout plan behind Thanos’ motivation in Infinity War. Their nearly utter lack of risks under their own titles by way of live action remakes, sequels, and reboots. But now they are doing it again. Disney is not renewing their contract with Netflix and has decided only to release digital copies of their titles on their own video streaming service. This is beyond stupid. This is near suicidal.

So Late to the Party, It’s Over

There are three big streaming networks: Netflix, Hulu, and Amazon Prime. Netflix added their streaming line in 2007, Hulu launched their content in 2008, and Amazon Prime’s streaming service switched from only on demand to a subscription service in 2011. That means Netflix has been around for 12 years, Hulu for 11, and Prime for 8. All three hold titles from many different distribution companies and in the last few years, all three have been creative Emmy winning original titles as well. Netflix has 137.1 million subscribers (, Hulu has 20 million subscribers (, and Amazon Prime has about 100 million subscribers ( Netflix being the first explains why they have the most, and Amazon Prime offering other perks, such as free two day shipping and digital copies of a selection of books and music, explains why it is second. The only other real competition to these three is HBO Now, as HBO has been creating it’s own original content for decades before streaming subscriptions were a thing, and they regularly get recent blockbusters. This past year their relatively new online subscription service has hit over 5 million subscribers ( This was actually a relatively natural progression for the channel, and other paid channel networks have followed suit with less success. The point is that the most successful streaming services offer both original content and multiple distribution companies’ titles and have been around for nearly ten years or have a sweet package that includes other benefits. The streaming wars haven’t just begun. They’re long over. Only something with extremely competitive benefits can even get a foot in the door. Another Amazon Prime. I could see Apple successfully doing this if they were willing branch off of their own tech products (i.e. all smart TVs and Windows computers) and converted to a subscription service, like their Apple Music. Disney’s package is not competitive. My guess is that it’s going to be priced too high because Disney thinks they are worth more than they are.

Big Dumb Animal

Disney is one of a handful of major media corporations. Nearly all of them are know for doing stupid things on a regular basis. Universal tried making their dumb dark universe. Warner Bros is failing spectacularly at creating a DCCU. Fox just makes bad movies because they trust Ridley Scott far too much. Other endeavors don’t do so well either. The news sections of the major media corporations are lackluster as almost all of them use rhetorical techniques and spotlighting techniques to incite fear and manipulate public opinion to political sides or to raise their own ratings. They often make business decisions that would kill smaller companies, such as cancelling Emmy winning TV shows, not marketing movies that need it and over-marketing those that don’t, designing creative titles by committee, watering down acquired IPs for mass markets, performing unethical and illegal acts that obstruct a criminal investigation simply to keep a news story going, one arm of the company suing another arm of that same company, not backing video streaming when it first came out. These big media corporations are stupid. They are frankly too big not to be stupid. They aren’t innovators. They aren’t trail-blazers. They copy each other and they copy the innovators, thinking that they can “do it better”. They typically can’t. The problem is inspiration. They don’t have it. Maybe one day they did, years ago, but they don’t have it anymore. Now, they have demographic data, marketing teams, and financial optimization. These are not the things that create new ideas. These are the things that keep big businesses big and, they hope, bigger. Disney is just like any other major media corporation. Large, full of MBA buzzwords, and mostly empty-headed.

You Have Hulu?!

Case in point: Disney owns a controlling interest in Hulu, one of the three major video streaming services, and they want to launch a new, Disney-branded video streaming service that would be in . . . direct competition to . . . the one they already own with 20 million subscribers. Hmm. I don’t think it needs to be explained why that would be a dumb move. I could foresee Disney pushing a vote to close down Hulu, which is dumb, to cut this competition. Why would this be dumb? Well, Hulu is established, it’s built. All the investment that was needed to create Hulu has already been spent. Disney is now spending what has to be a comparable amount of money to build a Disney-branded video streaming service when they already have a pre-built video streaming service. Is it entirely theirs? No, part of it is owned by Comcast and AT&T, and the 30% that was owned by Fox is now Disney’s, which means Disney own 60%, a controlling interest, and thus a majority profit. They could rebrand Hulu if they wanted to (don’t do that), and after Hulu’s deal with Spotify, Hulu is even more attractive as a product then it used to be. Disney is not going to be able to compete with that. I seriously doubt that the new streaming service is even going to compare with the amount of content and the quality of the original content on Hulu. I got Hulu exclusively to see The Handmaid’s Tale, an award winning show. I doubt Disney’s channel with it’s branding tied specifically to the Disney name will have the kind of deep and dark content allowed on Hulu. And it’s just going to cost them so much money.

Money Sink

Disney has a lot of money. Of that, we can be sure. They bought Star Wars and the Lucas companies for billions of dollars. They acquired Marvel through similar means a few years before that. Recently, they purchased 20th Century Fox and all their IPs and subsidiaries. They have money. Frankly, they could stand to take a few hits in that department to make them beef up their quality. While Marvel is still doing well financially on the film front, the quality of writing has gone down dramatically since the Russo Brothers have replaced Joss Whedon. Star Wars fans have finally woken up to the idea that Disney Star Wars is the worst Star Wars–something I’ve been saying since Rogue One and knew after The Force Awakens. But hardcore Disney fans still drink the cool aid when it comes to these live action remakes and sequels. My hope is that this new video streaming service will be an absolute waste of money, much like the A Wrinkle in Time adaptation was. I can see Disney not investing enough to build a truly workable service, with a good customer service system, spending more money on marketing the service, and then over-charging for the whole thing. I can also foresee them pulling the whole “Disney Vault” bullshit and rotating old titles in and out of their own service arbitrarily, thus creating a false supply titles. What I’m saying is, I foresee an utter waste of money for both Disney and fans.

An End to the Defenders

It was a sad, sad time as each new day brought another notice of a Defenders cancellation. Were all the shows good? No, of course not. Luke Cage and Iron Fist were terrible, and the second season of Daredevil, much like the second Iron Man movie, was too focused on introducing new things into the mix as we had more of the Hand, Stick, Elektra, and the Punisher then we knew what to do with. But the quality of these shows overall were better than say Agents of S.H.I.E.L.D. They covered deeper, darker subjects than other MCU titles. And now thanks to Disney being a jealous dick, we’re not getting any more of them. When Luke Cage and Iron Fist were cancelled, I was not shocked as I had just finished the second seasons of both and yee, gods, man. What the hell were they thinking? When an audience member literally says out loud “What the fuck?” upon the final scene of your show, that may be a sign that its time to hang it up. But Daredevil season three was great! And I can’t wait for the premier of season three of Jessica Jones or of season two of Punisher. Jessica Jones season two was still very awesome. And the first season of Punisher, while shockingly brutal, was freaking amazing! This is just a tragedy of TV that we won’t have anymore Charlie Cox Daredevil, Krysten Ritter Jessica Jones, or Jon Bernthal Punisher. Or will we? No, probably not. Disney isn’t smart enough to move it something like FX or Hulu, where something that dark would make sense, and with the new way of TV original content being separated by different video streaming services, it wouldn’t really make sense to have some seasons on Netflix, where the distribution rights lie for those seasons, and have new seasons on another service. So I don’t foresee a revival for any of these unless Disney can unjam their head from up that deep, dark cavern they’ve decided it belongs.

Devalued IPs

Speaking of IPs like the Defenders, Disney has been systematically watering down and killing their major IPs. Most of you will think I’m talking about Star Wars, and I totally am. Disney has managed to drive away the reason they purchased Star Wars in the first place. You know, the fans. It wasn’t just virtue signalling narratives, it was also poor narrative construction with uneven pacing, badly developed characters, marketing that over-saturated the market, and getting in bed with the worst game publisher in the world that resulted in a huge PR nightmare and loss of public trust, when they could have just used the publisher that came with the purchase from Lucas ( But Star Wars is not the only IP they have harmed in the last decade. What with their need to milk the shit out of their own titles, resulting in remakes, reboots, and sequels up the wazoo, Disney movies have gone down in quality, resulting in mostly boring live action remakes that aren’t as good as the originals ( Then there is the sequels with Pixar. Luckily, Pixar still has some ideas, like Moana, but you know its going to get a less than stellar sequel. While I love The Incredibles and I’ve always wanted a sequel, when I watched the trailer, I got a bad feeling. Finding Dory was basically Finding Nemo, but with Dory and Nemo switched places, and a lot of having their cake and eating it to when it came to making fun of people who were different and suggesting that they are complete individuals deserving of our respect. The trailer for The Incredibles 2 just seems like The Incredibles only now instead of Bob running off to do superhero stuff while Helen stays home to take care of the kids and house, she’s running off to do superhero stuff while he stays home to take care of the kids and the house. It’s a problem. And really, they’re going to do a Toy Story 4? Isn’t that a bit much? Finally, the MCU. Their golden goose. Well, it was, before Joss Whedon decided he was done and they went all in on the Russo Brothers, who suck hard core. The main storyline of the MCU has become increasingly plot-hole filled with villains that have plans without any sense or structure to them and characters whose development is abused by main plot points. The stories are contrived for the purpose of creating drama. And I’m sick of it. While most audiences still like the MCU, the quality is fucking awful now. The only thing holding it all together are the great actors. I swear, it feels like the Russo brothers were asked to dismantle the MCU, because it is the only thing that makes sense. So yeah, Disney has flooded the market with horrible movies, and don’t even get me started on their TV channel! That’s been horrific for decades.

No Risks and Stupid Risks

I’ve said before that Disney was in a position to take risks. When I said that, I meant creatively, as in coming up with new IPs instead of remaking all their animated movies. I didn’t mean jump into the video streaming service market five years after it matters and after having acquired one of the big three. That isn’t a risk. That’s a jump off a cliff. It baffles me that they would not take real risks with their creative work, but do something that will in all likelihood fail as business venture. I know that these decisions are not made by the same person, that Disney is large corporation made up of a lot of people and subsidiaries, but it has a corporate culture of no creativity and cutting out the middle man. This new venture isn’t about innovation or customer support. It’s about making the most money they think they can. They see the profits that other video streaming services rake in and think they could have all that money by cutting out Netflix. But that’s potential profits, not real profits. They have no idea how much money they will actually make off their video streaming service. This is a stupid way of looking at things too because Netflix makes the money it does not because it has Disney titles, but because it has Disney, Universal, Warner Bros, Sony, etc. titles and original content and no commercials. Disney is only one part of how they make their profits. They have an amazing contract with Warner Bros that allows for CW shows exclusively. And we all know how popular, if not good, those are. So for Disney to be looking possibly at Netflix profits and thinking, those could be our profits, is dumb, because they aren’t the only draw of a varied and long-standing video streaming service.

“Well, I’m Going to Cancel My Netflix Subscription”

Sure, the five million people who do this will leave “quite” a dent in Netflix’s profits. As if Netflix doesn’t have Stranger Things. Suuuuure. Netflix is gonna suffer sooooooo much. Netflix’s biggest competitor isn’t even Amazon Prime. It’s YouTube. Not even YouTube Red, Google’s attempt to get YouTube out of the red and into the black. Just regular old YouTube. But that’s because YouTube has content no one else has. No, not live TV or news clips. No, let’s plays, and gaming news and lists. The most watched videos on YouTube are related to gaming, something no other video service comes close to getting right. Twitch could eat their lunch in the viewership numbers if they weren’t just live streaming, as gaming news and lists and game walkthroughs are another huge draw, which are harder to do live. So when I hear the counter that people are going to leave Netflix for Disney, I scoff, because no other video streaming service competes on the same level. Prime looks like it does because of its numbers, but some Prime members aren’t there for the videos. They’re there for the two day shipping. Will Netflix take a hit over this? Yes, but it won’t be a company breaking hit.

In the End

I rag on Disney a lot, and despite that, they are not my least favorite media giant. That spot is firmly held by Sony. But Disney is a close second because they have so much, do so little creatively, and make dumb decisions. Because Disney owns so many major IPs, this upsets me. They have some of the best material, material that has huge followings built into them. It’s upsetting to see them gobble up more and more with the feeling that they are just going to waste all that potential and talent on half-assed projects, that they are going to end good ventures simply to get all the money in the world. They think their shit don’t stink. But it does. God, but it does. Is something like this going to take them down? Well, if EA is still around despite all they’ve done the last few years, I seriously doubt that this straw is the last straw for Disney. In fact, I see there numbers being high enough in the beginning at least for them to think this is a justified venture. They are also huge. They can absorb this quite easily if it is a loss. Will they learn a lesson if it fails? Most likely they won’t. Their vault BS has been working for them for decades. The problem is their size. They’ll stub their toe and just move on to the next dumb idea. Disney fans will continue to swallow the cool aid, and they will continue to make enough money to think they are untouchable. They’ll look for any answer that doesn’t hold them responsible for any failures, as they have in the past. And they’ll kept on doing what they’ve been doing. But now they own nearly everything of value. If they buy Warner Bros, we’re fucked. Because you know damn well, they’d end the Arrowverse in a heartbeat, despite its success and the world it has built. I’m just tired of Disney getting more and more and doing less and less of value with what they have. Aren’t you?


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Childish Things: Not Just for Children

Sadly, Stan Lee recently died and many people are in mourning. And some people are acting like assholes about this because “comic books are for kids. So meh!” But you know what? Many things that people consider immature are specifically designed for adults as well as kids, people make careers off these things, whole billion dollar industries are involved in their production, they help shape the minds of the future, and can prevent despair in adults. Allow me to defend what shouldn’t have to be defended: the consumption of play by adults.

C.S. Lewis with the Best Advice Ever

Critics who treat ‘adult’ as a term of approval, instead of as a merely descriptive term, cannot be adults themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.

C. S. Lewis

If anyone ever calls you immature for liking childish things, feel free to call them childish, because C. S. Lewis said it was so. We shouldn’t be ashamed of the things we enjoy doing. Once when I was watching Dancing with the Stars (yes, I did that), they were doing a dance to a guilty pleasure song, and I mused out loud that I can’t think of any thing that I enjoy that I hide from others out of fear of embarrassment. I will lip sync and dance in my chair while working, not caring if people notice or find it weird. It’s enjoyable. It gives me pleasure. It makes work easier. I play video games, even trash mobile video games, and I read manga (my favorite is Ranma 1/2), and I watch the Arrowverse TV shows. I find stoner films very enjoyable. I don’t care who knows these things about me. Some people enjoy clubbing and bar-hopping. I don’t understand why they find those things enjoyable but I don’t think that makes them more or less human or adult. Being an adult is not about what you enjoy. It’s about owning who you are and taking responsibility for your own well being. Navigating debt, understanding renting and home purchasing and ownership, developing an exercise routine and healthy diet, managing finances, understanding insurance and retirement funds, these are the trappings of adulthood. What you do to relax your brain and understanding that finding enjoyable ways to do so is part of creating mental stability is also a sign of maybe not adulthood, since hardly anyone does this, but at least emotional health. The smarter the animal, the more play it needs. We humans are very smart animals. So feel free to sit in public and read a comic book. You should enjoy the act of enjoyment. Don’t be ashamed. Mature adults know and accept who they are. You’re not alone.

Childish Industries: Jobs for Adults . . . Obviously

Comic books, animated movies and TV shows, children’s, middle grade, and YA books, video games, and board games all employ millions of people worldwide. These people aren’t children. They’re adults. They’re adults who make a living, who make a career, who have a passion for designing, writing, and creating these so called childish things. J.K. Rowling is an adult. Hidetaka Miyazaki is an adult. Stan Lee was an adult. Alan Moore is an adult. Matt Groening is an adult. Walt Disney was an adult. Charles Darrow was an adult. I can keep going if you don’t get the point by now. Things designed with children in mind are designed by adults, and sometimes, because of that, the line between demographics blurs. Creators of creative mediums are meant to create things with love. Flannery O’Connor said that the writer should write the kinds of things they want to read. That bleeds into creating things for kids. We cannot help but make things that are also for ourselves. Hardly anyone finishes a project they hate. Usually, if they do finish, they throw the results away or hide them in the hopes that no will ever see them. Children aren’t making the things they enjoy. Adults are. And there is a lot of money to be made from these things. It’s a business. It’s serious, but it is the serious endeavor to create enjoyment in others. Children’s things are fun. They are even fun for adults, because adults made them. I’ll admit to missing my tamagotchi. I’d still play with it today if it was available, but mobile games have replaced that. I’m not the only person who misses the enjoyment of some of their childhood things. Obviously not, or there wouldn’t still be people creating these things with a passion. You think the designers of the trappings of childhood don’t play with those things before the products become available for the public? Maybe not the accountants at the businesses, but certainly the designers do. It’s part of the creative process to experience what you are creating. And if you don’t enjoy it, no one else will.

Animated Narratives are Designed with Adults in Mind

While there are animated movies and TV shows designed specifically for adults—things like Rango, Futurama, Rick and Morty, Beavis and Butthead, The Critic, Family Guy, King of the Hill, Aqua Teen Hunger Force, Cowboy Beebop, and even some pornographic animated titles—many of the titles touted as children’s narratives are actually incredibly enjoyable for adults. The reason for this is the knowledge that parents will have to watch the stories, typically many times in a row, and that some adults will not watch anything higher than a G, PG, or PG-13 rating because of moral objections. I’m neither of those demographics. I will never have children and enjoy R rated films quite a lot. However, made for children titles can be deep, inspiring, hilarious, and saddening. The movie Up makes many adults cry with it’s deep and wordless depiction in all of ten minutes of a married couples’ entire life together. Animaniacs has some sex jokes in it. Kung Fu Panda has a message about acceptance of self, which most adults could stand to hear. To some extent, animated TV shows and movies are treated exactly like movies for adults. The crafting of the story, characters, and themes are just as powerful. They just shy away from some very specific things: extensive cursing, clear depictions of sexual encounters, realistic blood and gore. These things aren’t necessary for every story. Live-action G, PG, and PG-13 titles are actually less mature in their use of themes and comedy by and large versus animated titles in those same ratings. Sometimes animated movies are more cohesive and focused than live-action ones in the same ratings bracket because they know they want to teach an idea through their story to children and everything needs to feed into that because animation is (or at least until recently was) hard. But while they know that’s what they’re doing they still find time to slip adult humor into the films:

Also, Farquaad? How many years old were you when you got that joke?

The best episode of a cartoon of all time designed almost entirely for Beatles fans:

And finally, one of my favorites:

Kids laugh at these jokes because the adults in the room do. They don’t always get them. But that’s okay. Kids should be eased into adult humor anyway. This is a good way of doing it. And some jokes for kids are also very funny no matter how old you are, which is why Spongebob Squarepants is so popular with adults. Some of the jokes are just good. There’s nothing wrong with a lack of adult themes in humor, and there’s nothing wrong with laughing at those jokes. But beyond humor, some things for kids are just amazing. Like . . .

  • Avatar: The Last Air Bender
  • Voltron: Legendary Defenders
  • Batman: The Animated Series and the entirety of the DCAU
  • Samurai Jack
  • Courage the Cowardly Dog
  • Teen Titans Go (man, that Thanksgiving episode)
  • The Fairly Odd Parents
  • Ed, Edd, and Eddy (have you seen the surrealist episode?)

I could keep going and going on this list but eventually you’ll get tired of that. These shows may all be designed with kids in mind, but you do not have to be a kid to enjoy them. Seriously, have at it and enjoy!

You Still Play Video Games at Your Age? Duh!

I’ve literally heard this question out loud before, not directed at me, but instead of keeping quiet, I opened my mouth without thinking. I said, “Don’t say that! I literally just watched a Ted talk about how the average video game player is 30 and the average video game buyer is 37.” It’s old at this point, but you can watch it below.

The second statistic does not account for adults buying video games for children, which is why the first statistic is the most important one. Due to the rise of mobile video games, that average age for video game players has gone up to 37 for female players and to 33 for male players with 35 being the overall average (source: There is a let’s player on YouTube with more than four hundred thousand subscribers who is an 82 year old woman ( She posts regularly. Why would an octogenarian play video games? Well, because they help with reflexes, critical thinking skills, memory, focus, fine motor control in the hands, and so much more. In short, they’re good for you.

Oh, but what about the mental health effects? This is a contentious subject. Some people believe that video games make people more violent and is the cause of mass murders, but I can’t help but think that this is an insane idea totally defeated by common sense. Video games are a billion dollar industry and per household in the US there is an average of 1.7 gamers (source: If video games made people more violent, there would be way more mass murders and violent crimes, but violent crime in the US peaked around the mid ’90s and has been steadily going down at the same time as the number of people playing video games has gone up.


You can see from the first graph that video game sales were at a low when violent crime was peaking. Why would video games make people less violent? Well, because it gives them something to do and an outlet for anger or frustration. The brain actually needs this, in the same way that they often tell people to watch a sad movie or listen to sad music when they are grieving but numb. People need to express their emotions, good and bad, in healthy ways. Isn’t it better that someone beat up a fictional person than a real one? I’m pretty sure this is why so many people like martial arts, to blown off steam (I like kickboxing). But some people aren’t into that. They think these kinds of acts are distasteful, like our thoughts should be so pure that we don’t need to work off our stress with healthy violence. Well, I’m pretty sure those people have impure thoughts and that their lack of an outlet is why we have so many passive aggressive people. Can video games make a person angry? Yes, absolutely. At the game itself, typically. But that’s usually because of bad video game design that creates cheaty, BS progression walls and, more recently, gambling mechanics.

So there isn’t really a reason not to play video games as an adult. Most are designed by adults for adults with mature ratings, and if I and others had our way, those games with gambling mechanics would be for adults only. Not only is there no reason not to play video games as an adult, there’s many reasons to play video games as an adult. The higher functioning the brain, the more play it needs.

Face-to-Face Games

Board games and other party games are the only games most likely to cause a person to enact violence against another person. Like Monopoly or getting a draw four card in Uno. Yeah, that’s enough to punch a family member in the face, especially a sibling. But they often lead to a sense of camaraderie as well. They are much more engaging and interactive way to spend time with loved ones than side-by-side individual activities like watching a movie or TV show or reading. Some of my most cherished memories are of playing board games, card games, or something like charades with friends or family. They are much more memorable times than say when we all went to the movies together. Can doing those other things together be interactive? Yes, but only if you can pause the TV; otherwise, you’re just being rude. These face-to-face games aren’t just good for interaction; they’re also good for your critical thinking and problem solving skills. Much like video games, they stimulate parts of your brain that are sometimes set to atrophy in our modern, don’t-have-to-hunt-or-fight-every-day world, and since we need those parts of our brains to still work, it can make us happier overall to use them regularly. Not every face-to-face game is fun to everyone and not every person is fun to play with, so not every experience of “game night” is going to be a blast and beneficial, but on average they will be.

Illustrated Reading: Real Life Hero Stan Lee and Real Life Villain Bill Maher

For some irrational reason, Bill Maher has decided that after Stan Lee’s death is a good time to denigrate the man’s accomplishments. You know, in a cowardly way since Lee couldn’t defend himself. You know, in a distasteful and insensitive way since someone is dead. I don’t believe in over eulogizing a person, but in this case, I believe that Maher acted out of a sense of bitter jealousy, because I doubt that he will ever have the impact that Lee had on the world. It feels a bit like angrily riding on coattails. Anyway, in a very short blog post–or as I view it, in a long rant–Maher said that Lee “inspired millions to, I don’t know, watch a movie.” Cute. Let’s pretend for a minute that comic books aren’t an about $800 million industry as of 2013 (source:, which doesn’t include toys or adaptations. Let’s also pretend that the X-Men weren’t created as a metaphor for the Civil Rights movement. Let’s also pretend that when Bryan Singer helmed the first feature film adaptation of the X-Men that he didn’t make it a metaphor for the issues facing the gay community in the U.S. Let’s pretend that the introduction of Black Panther as a major comic book hero didn’t help race relations in the US, like when Jack Kirby had him fight the KKK. Let’s just pretend that narratives don’t help fix social and political issues by turning public opinion, like Uncle Tom’s Cabin, and that getting them young isn’t a thing. Let’s pretend all that isn’t true. Should we also pretend that Lee wasn’t a servicemen during WWII in the training document creation department? How about no? How about we not ignore all these great things? Was Lee perfect? No. But no one is, and frankly comic books have done a lot of good through inspiring people to be more open to change, other people, and ethical ways of thinking. They are constantly making people think on questions of deep, philosophical ideas. Does every panel? No, but not every page of one of the great novels–Moby Dick–does so either. They are also meant to entertain. They do that too, but I don’t think philosophy in narratives should skimp on entertainment. I think it is essential to story-telling to be entertaining. And comic books do both. Like The Watchmen. A lot of the great stories of Marvel were possible because of Stan Lee. Comic books are quite possibly the most cumulative of genres, and he was one of the early major influences at Marvel.

This idea that Maher has that we’re supposed to stop reading comic books just because we reach a magical age that signifies adulthood is, in itself, immature. Tell me that The Watchmen is for children. Read it, and tell me it’s not designed and written specifically for adults. I dare you. Maher complains that my generation doesn’t know how to buy auto insurance but doesn’t acknowledge that the previous generations–including his–never taught us how to do so, throwing us to the wolves of the world without the knowledge to fend them off and the economy and job market were so messed up as to be soul crushing and education came with crippling debt that didn’t exist when Maher went to college, so excuse us for trying to inject a little fucking gallows humor into what felt like an impossible situation. No, Maher, we’re not stupider. We actually are more fiscally responsible and care more about social issues and the environment while reading books with pictures. So sorry to disappoint you for not pining for the days where racial and gender injustice were more prevalent and acceptable. So sorry we learned from comic books to be better people and valued them for those lessons enough to teach classes on them. Like any genre, they come with examples of bad lessons too. There’s books, movies, and TV shows like that too, but you don’t throw out an entire medium for a few bad apples. You promote the good ones and discuss what the bad ones did wrong, you know, like you do with literature. A person should apply their intelligence to EVERYTHING. Every aspect of our lives should be lived with intelligence and mindfulness. Don’t blame the comic book community for the Donald Trump presidency. I already explained who is responsible for that fiasco (, and comic books have nothing to do with it. It is a stretch of infinite proportions to lay his election at the doorstep of the comic book community, considering that they are an extremely diverse group of people.

But really, his rant, which I am now matching (or surpassing) in length, stems from a lack of maturity. He and people like him are too concerned with how others view them. They’re afraid of being judged as childish, so they put down the things that they perceive as childish. But to paraphrase C.S. Lewis, it is immature to be concerned with seeming mature. You don’t have to like comic books. But you don’t have to put others down for liking them either. There are some things people find enjoyable which I never will, like being manipulated by the media or making fun of sub-cultures. Read comic books. Or don’t. It doesn’t matter. It doesn’t change whether or not you’re a functional adult, but being a rude, inappropriate, jealous, bitter, and passive aggressive person does.

Oh, But Somehow Sports Are Different?

Bill Maher is a part owner of the New York Mets?! What happened to not applying our intelligence to stupid things? Huh? Sports are different? No, they’re not. They’re games! Basketball games. Baseball games. Football games. Need I continue? There’s even a myriad of virtual versions of these games. Children play sports more than adults do! And they’re a great way for families to spend time together (playing them together, not so much watching one family member do it or watching someone else do it). Playing these games for fun is great! But the professional and academic versions are full of ethical issues. Is it right that a university should make so much money off a student that could be injured while playing for them and that student never see a dime for their talent and work? No, it very clearly isn’t. I don’t like sports myself, but I don’t begrudge those who enjoy playing them from doing so. I do find the voyeuristic tendencies of professional and academic sports to be less beneficial. Maybe it helps as a release for the us vs them mentality which is instinctive to focus it on football teams as opposed to countries or people of differing races. Maybe, but I’ve never heard of video gamers rioting in the streets the way some sports fans literally do. Listen, it’s okay to enjoy sports, watching, playing, etc. It is. Just like any of these other industries it can be an exercise in working out parts of your brain that otherwise wouldn’t get attention. But don’t pretend like sports are serious and all these other things aren’t. What people enjoy isn’t up to us to decide and there are benefits to all of these so-called childish forms of entertainment, including sports.

The Damage of a Brain without Play

Throughout this, I’ve kept saying that the brain needs play. I could go into very specific details on that, but I will allow this guy to say it for me instead:

So, Maher, Did You Learn Something?

Every one needs to relax. Enjoy the things you find enjoyable and don’t worry about whether or not others think it is mature. Don’t be ashamed of the things you find enjoyable. Don’t judge others for the things they find enjoyable. Being overly concerned with appearing as others expect of you or in judging how others appear is the not the mark of being mature. It’s the mark of being superficial, shallow, archaic, and immature. Entertainment mediums are not important enough to judge others by. When it comes to entertainment, we shouldn’t be arguing over whether or not we should enjoy it, but about the quality by which it is made and the success of its intent. So enjoy your good middle grade and young adult novels, enjoy your good animated movies and TV shows, enjoy your good video games, enjoy your good games, enjoy your good comic books, and if you’re in any of these industries, love what you do, put your utmost care into your creations, and people will love and care about them too.

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Posted by on December 22, 2018 in Social Issues


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